Jimmy Witherspoon, Jerry Mulligan, Ben Webster, Mel Lewis, Leroy Vinnegar, Jimmy Rowles made "St. Louis Blues - Live" available on July 6, 1960. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jimmy Witherspoon, Jerry Mulligan, Ben Webster's "Jimmy Witherspoon at the Renaissance - Live" album is number 10 out of 10. St. Louis Blues - Live is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of St. Louis Blues - Live by Jimmy Witherspoon, Jerry Mulligan, Ben Webster, Mel Lewis, Leroy Vinnegar, Jimmy Rowles to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Please Send Me Someone To Love | Percy Mayfield | C Major | 2 | 8B | 201 BPM | ||
Black Angel Blues | Robert Nighthawk | E Major | 3 | 12B | 72 BPM | ||
Somebody To Shack | Detroit Junior | D Minor | 1 | 7A | 178 BPM | ||
Sunny Day Blues | The Jumpstarts, Little Bobby | C Major | 5 | 8B | 80 BPM | ||
Now That I'm Free | Wynona Carr | E♭ Major | 4 | 5B | 115 BPM | ||
Deacons Hop | Big Jay McNeely | A♭ Major | 6 | 4B | 126 BPM | ||
C C Rider | Jimmy Smith | F Minor | 4 | 4A | 111 BPM | ||
Fine Brown Frame | Nellie Lutcher | D♭ Major | 1 | 3B | 116 BPM | ||
501 Boogie | Professor Longhair | C Major | 6 | 8B | 169 BPM | ||
Little Boy Blue | Big Walter Horton | C Minor | 3 | 5A | 206 BPM |
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