Heinrich Schütz, Isabel Schicketanz, Aneta Petrasová, Tobias Mathger, Martin Schicketanz, Matthias Müller, Stefan Maass, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann's 'Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150"' came out on February 1, 2017. The duration of Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150" is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Schütz: Becker-Psalter, Op. 5 (Complete Recording Vol. 15)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. The popularity of Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150" by Heinrich Schütz, Isabel Schicketanz, Aneta Petrasová, Tobias Mathger, Martin Schicketanz, Matthias Müller, Stefan Maass, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Schwanengesang, Op. 13: VIII. Ich hasse die Flattergeister | Heinrich Schütz, Dorothee Mields, David Erler, Juliane Laake, Margret Baumgartl, Matthias Müller, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann | G Minor | 2 | 6A | 80 BPM | ||
Vespro della Beata Vergine, SV 206: X. Psalm "Lauda Jerusalem" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Major | 0 | 9B | 100 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Nun Lob, mein Seel, den Herren, BWV 389 | Johann Sebastian Bach, The Hilliard Ensemble | A Major | 1 | 11B | 174 BPM | ||
Membra Jesu nostri, BuxWV 75: IVa. Ad latus: Surge, amica | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM |
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