"Delius / Arr Tertis: Hassan, RT I/9, Act 1: Serenade" by Frederick Delius, Tasmin Little, Piers Lane was released on 1992. The duration of Delius / Arr Tertis: Hassan, RT I/9, Act 1: Serenade is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Delius / Arr Tertis: Hassan, RT I/9, Act 1: Serenade's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Virtuoso Violin by Tasmin Little, Piers Lane. The song's track number on the album is #14 out of 17 tracks. In terms of popularity, Delius / Arr Tertis: Hassan, RT I/9, Act 1: Serenade is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Delius / Arr Tertis: Hassan, RT I/9, Act 1: Serenade by Frederick Delius, Tasmin Little, Piers Lane has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Delius / Arr Tertis: Hassan, RT I/9, Act 1: Serenade being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
String Quartet 1916: 1. With animation | Frederick Delius, Fitzwilliam Quartet | F♯ Major | 2 | 2B | 99 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM |
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