Manuel de Falla, Andrés Segovia made "Homenaje, piece pour guitare ecrite pour Le Tombeau de Debussy (Arr. A. Segovia)" available on June 24, 2008. The duration of Homenaje, piece pour guitare ecrite pour Le Tombeau de Debussy (Arr. A. Segovia) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Homenaje, piece pour guitare ecrite pour Le Tombeau de Debussy (Arr. A. Segovia)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Segovia, Andres: 1950S American Recordings, Vol. 6". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Homenaje, piece pour guitare ecrite pour Le Tombeau de Debussy (Arr. A. Segovia) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Homenaje, piece pour guitare ecrite pour Le Tombeau de Debussy (Arr. A. Segovia) by Manuel de Falla, Andrés Segovia having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré / Arr. Auber: Fantaisie, Op. 79 | Gabriel Fauré, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | C Major | 1 | 8B | 75 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
2 Wiegenlieder (2 Lullabies): No. 2. Estnisches Wiegenlied (Estonian Lullaby) (arr. J. Lloyd Webber for 2 cellos and piano) | Arvo Pärt, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | D Major | 0 | 10B | 114 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | A♭ Minor | 1 | 1A | 84 BPM | ||
El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. by Sandquist) | Robert Schumann, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 86 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |
Section: 0.7008774280548096
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