Ethel Merman, Dan Dailey, Johnnie Ray, Mitzi Gaynor, Donald O´Connor's 'There's No Business Like Showbusiness - Finale' came out on March 16, 2009. The duration of There's No Business Like Showbusiness - Finale is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. There's No Business Like Showbusiness - Finale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "There's No Business Like Showbusiness (Original Film Soundtrack)". In this album, this song's track order is #11. Based on our statistics, There's No Business Like Showbusiness - Finale's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With There's No Business Like Showbusiness - Finale by Ethel Merman, Dan Dailey, Johnnie Ray, Mitzi Gaynor, Donald O´Connor having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
If I Knew You Were Comin' I'd've Baked A Cake | Ethel Merman, Ray Bolger | A♭ Major | 5 | 4B | 169 BPM | ||
Freedom | Chip Ford, Donna Theodore | A Major | 4 | 11B | 154 BPM | ||
Sit Down You're Rockin the Boat! | Stubby Kaye (performer), Guys and Dolls Chorus | E♭ Major | 5 | 5B | 136 BPM | ||
Friendship | Mickey Deems, Hal Linden, Eileen Rodgers | G Major | 3 | 9B | 98 BPM | ||
Annie: Tomorrow | Charles Strouse, Andrea McArdle, Peter Howard | F♯ Major | 2 | 2B | 92 BPM | ||
The Wild, Wild West | Virginia O'Brien | B♭ Major | 2 | 6B | 105 BPM | ||
Overture from Guys and Dolls | Jay Blackton (conductor), Guys and Dolls Pit Orchestra | A♭ Major | 4 | 4B | 70 BPM | ||
Mutual Admiration Society | Virginia Gibson, Ethel Merman | G Major | 4 | 9B | 113 BPM | ||
Start Off Each Day With A Song | Jimmy Durante, Eddie Jackson | C Major | 3 | 8B | 130 BPM | ||
Just You Wait - Voice | Marni Nixon | A♭ Major | 2 | 4B | 97 BPM |
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