"Akt I: Vom Bade kehrt der König heim" by Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan was released on March 1, 2024. Since Akt I: Vom Bade kehrt der König heim is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Jonas Kaufmann. The song's track number on the album is #1 out of 43 tracks. Based on our data, United States was the country where this track was produced or recorded. Akt I: Vom Bade kehrt der König heim is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Akt I: Vom Bade kehrt der König heim by Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Akt I: Vom Bade kehrt der König heim being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Wiener Blut, Wiener Blut (From "Wienerblut") | Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer | C Major | 2 | 8B | 84 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM | ||
Der fliegende Holländer, WWV 63, Act III: Juchhe! Da gibt's die F?lle! (Live) | Richard Wagner, Benjamin Bruns, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann | G Major | 3 | 9B | 86 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | D Major | 3 | 10B | 113 BPM | ||
Stravinsky: The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Igor Stravinsky, Seiji Ozawa, Orchestre de Paris | E Major | 4 | 12B | 165 BPM | ||
Gurrelieder / Pt. 1: V. Tove: Sterne jubeln | Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado | G Minor | 5 | 6A | 147 BPM | ||
Siegfried, WWV 86C, Act I: Mime's Fright | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 2 | 6B | 108 BPM |
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