Mario Filippeschi (Pollione) made "Me Protegge, Me Difende" available on September 8, 2010. With Me Protegge, Me Difende being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Best Of Norma - The Opera Masters Series". In this album, this song's track order is #2. In terms of popularity, Me Protegge, Me Difende is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Me Protegge, Me Difende by Mario Filippeschi (Pollione) having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Duetto. "Viens souper avec nous" (Gaillardin, Duparquet) | Johann Strauss II, Franck Pourcel, Jean Christophe Benoit, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Orsù: La tua nipote con chi crede | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Major | 2 | 1B | 171 BPM | ||
Lucia di Lammermoor, Act I: La pietade in suo favore | Gaetano Donizetti, Stefano Antonucci, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
Madame Butterfly - Grosser Querschnitt: Das ist sicher ein Kriegsschiff | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | F♯ Minor | 1 | 11A | 178 BPM | ||
Auber: La muette de Portici: "Spectacle affreux" (Masaniello) | Daniel Auber, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM | ||
Massenet: Don Quichotte, Act 1: "Elle m'aime et va me revenir" (Don Quichotte, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM |
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