"Piano Concerto in F Minor, Op. 6: II. Larghetto" by Karel Kovařovic, Prague Radio Symphony Orchestra, Robert Jindra, Marek Kozák was released on February 9, 2024. Since Piano Concerto in F Minor, Op. 6: II. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Kovařovic: Piano Concerto in F Minor, Op. 6: II. Larghetto and no other songs are present in the album, we classify this track as a single. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Piano Concerto in F Minor, Op. 6: II. Larghetto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in F Minor, Op. 6: II. Larghetto by Karel Kovařovic, Prague Radio Symphony Orchestra, Robert Jindra, Marek Kozák to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: IV. Impromptu in E Minor | Jean Sibelius, Carmen Stefanescu | E Minor | 1 | 9A | 103 BPM | ||
交響曲第3番ヘ長調作品90 第1楽章:アレグロ・コン・ブリオ | ベルリン フィルハーモニー管弦楽団 | C Major | 3 | 8B | 120 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai | Unknown, John O'Conor, Scottish Chamber Orchestra, Sir Charles Mackerras | B♭ Major | 0 | 6B | 84 BPM | ||
Suite No. 1 for 2 Pianos, Op. 5 "Fantaisie-tableaux": I. Barcarolle | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
Loutky, H. 137: No. 1. Colombina tanci (Columbine Dances) | Bohuslav Martinů, Giorgio Koukl | A Minor | 1 | 8A | 67 BPM | ||
Montagne russe | Ivan Bogoyavlensky, Nadja Naumova | B Minor | 2 | 10A | 135 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 0 | 5B | 133 BPM | ||
Lyric Pieces Book 5, Op. 54: No. 3, March of the Trolls | Edvard Grieg, Stephen Hough | B♭ Major | 0 | 6B | 58 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): I. Allegro (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 124 BPM | ||
Der Bürger als Edelmann – suite, Op. 60: VI. Courante | Richard Strauss, Norwegian Chamber Orchestra, Terje Tonnesen | G Major | 0 | 9B | 82 BPM |
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