"Leoncavallo: Zazà, Act 1: "A te, Cascart" (Zaza, Milio, Cascart, Duclou)" by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra was released on January 1, 2016. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruggero Leoncavallo, Ermonela Jaho, Riccardo Massi, Stephen Gaertner, Patricia Bardon, BBC Symphony Orchestra, Maurizio Benini's "Leoncavallo: Zazà" album is number 21 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Leoncavallo: Zazà, Act 1: "A te, Cascart" (Zaza, Milio, Cascart, Duclou) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: Zazà, Act 1: "A te, Cascart" (Zaza, Milio, Cascart, Duclou) by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recitar!...Vesti la giubba | Ruggero Leoncavallo, Enrico Caruso | D♭ Minor | 1 | 12A | 112 BPM | ||
Don Giovanni, K. 527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Fernando Corena, Wiener Philharmoniker, Josef Krips | D Major | 2 | 10B | 83 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Paata Burchuladze, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | B♭ Major | 3 | 6B | 76 BPM | ||
La Sonnambula / Act 2: Ah! non giunge uman pensiero | Vincenzo Bellini, Dame Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
La Sonnambula / Act 1: Viva! Viva Amina! | Vincenzo Bellini, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | F♯ Minor | 1 | 11A | 116 BPM | ||
La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | E Minor | 1 | 9A | 79 BPM | ||
La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | ||
Son lo spirito che nega - from Mefistofele | Arrigo Boito, Erwin Schrott, Daniele Rustioni | C Major | 3 | 8B | 90 BPM | ||
The Marriage of Figaro: Part IV, "Contessa, perdono" (Count, Countess, Ensemble) | José van Dam, Mirella Freni, Frederica von Stade, Wiener Philharmoniker, Vienna State Opera Chorus | E♭ Major | 5 | 5B | 68 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 84 BPM |
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