Rytis Mažulis, Paul Hillier, Estonian Philharmonic Chamber Choir's 'The dazzled eye lost its speech (1992)' came out on November 7, 2005. With this song being about 5 minutes long, at 4:53, "The dazzled eye lost its speech (1992)" by Rytis Mažulis, Paul Hillier, Estonian Philharmonic Chamber Choir is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 15 in Baltic Voices 3 by Paul Hillier, Estonian Philharmonic Chamber Choir. The dazzled eye lost its speech (1992) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The dazzled eye lost its speech (1992) by Rytis Mažulis, Paul Hillier, Estonian Philharmonic Chamber Choir is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toni Orationes Dominicae - Pater Noster C | Marek Klein | F♯ Minor | 0 | 11A | 78 BPM | ||
Healing Chants Mantra | Mudra Mind | D Major | 3 | 10B | 115 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Let Us Stand in Awe | Komitas, Armen Badalyan, Hovhannes Nersesyan, Jānis Kurševs, Latvian Radio Choir, Sigvards Kļava | E Major | 0 | 12B | 60 BPM | ||
Miserere a 9: No. 9, Domine, labia mea - Quoniam si voluisses | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | F♯ Minor | 1 | 11A | 175 BPM | ||
Come, Follow After Me | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E♭ Major | 1 | 5B | 139 BPM | ||
Offertorium: Benedixisti Domine | Marek Klein | F Minor | 0 | 4A | 111 BPM | ||
Veni, Emmanuel | Valter Maasalo, Lumen Valo | E Major | 1 | 12B | 85 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 6. Quia Hodie Maria Virgo Cum Christo 2 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Alleluya | Alta Musica, Caroline Schneider, Dagmar Jaenicke, Michael Metzler, Rainer Böhm | A Major | 0 | 11B | 73 BPM | ||
Um Vergebung Der Schuld | Cantarte Regensburg | G Minor | 1 | 6A | 75 BPM |
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