"Scaramouche - suite: 2. Modéré" by Darius Milhaud, Emma Johnson, Julius Drake was released on January 1, 1994. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 27 in Encores 2 by Emma Johnson, Julius Drake. Scaramouche - suite: 2. Modéré is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scaramouche - suite: 2. Modéré by Darius Milhaud, Emma Johnson, Julius Drake is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
Saudades do Brasil, Op. 67: Sumare | Darius Milhaud, Alexandre Tharaud | B♭ Minor | 1 | 3A | 116 BPM | ||
Saudades do Brasil, Op. 67: Copacabana | Darius Milhaud, Alexandre Tharaud | D Major | 4 | 10B | 86 BPM | ||
L'homme et son désir, Op. 48: VIII. La lune I a disparu la premiere, la lune II disparait a son tour... | Darius Milhaud, Tomoko Makuuchi, Jian Zhao, Mathias Vidal, Bernard Deletré, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 1 | 3A | 150 BPM | ||
Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM |
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