"Liebestraume, S541/R211: No. 3. Nocturne in A-Flat Major (arr. for flute and harp)" by Anonymous, Franz Liszt, Janos Balint, Deborah Sipkai was released on January 1, 1998. With this song being about 5 minutes long, at 5:15, "Liebestraume, S541/R211: No. 3. Nocturne in A-Flat Major (arr. for flute and harp)" by Anonymous, Franz Liszt, Janos Balint, Deborah Sipkai is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 21 in Flute and Harp Arrangements - Tartini, G. / Bach, J.S. / Mozart, W.A. / Tchaikovsky, P.I. / Liszt, F. / Grieg, E. / Chopin, F. by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Liebestraume, S541/R211: No. 3. Nocturne in A-Flat Major (arr. for flute and harp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liebestraume, S541/R211: No. 3. Nocturne in A-Flat Major (arr. for flute and harp) by Anonymous, Franz Liszt, Janos Balint, Deborah Sipkai is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Teach Me, Oh Lord | The Sirin Choir, Choirmaster: Andrey Kotov | F Minor | 0 | 4A | 63 BPM | ||
Nowadays Forces Heavenly | The Male Choir of Valaam Singing Culture Institute | F Minor | 1 | 4A | 137 BPM | ||
Kyrie | The Gregorian Chants | A♭ Major | 0 | 4B | 151 BPM | ||
Requiem aeternam | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | E♭ Major | 2 | 5B | 174 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Jubilus rhythmicus de nomini Jesu (2) | Officium Ensemble, Unknown Artist, Wilfried Rombach | B♭ Major | 2 | 6B | 136 BPM | ||
O salutaris Hostia - Hymnus (tonus monasticus) in Honorem SS. Sacramenti | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | A Minor | 1 | 8A | 77 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Воскресение Твое, Христе Спасе | St. Peter St. Paul Cathedral Choir of Minsk | G Major | 1 | 9B | 141 BPM |
Section: 0.6999118328094482
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