"Herzogenberg: Legenden, Op. 62: II. Moderato" by Heinrich von Herzogenberg, Gérard Caussé, Vadim Gladkov was released on March 16, 2018. With this song being about 5 minutes long, at 4:52, "Herzogenberg: Legenden, Op. 62: II. Moderato" by Heinrich von Herzogenberg, Gérard Caussé, Vadim Gladkov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viola Legend - The Erato Years by Gérard Caussé. The song's track number on the album is #39 out of 168 tracks. Based on our statistics, Herzogenberg: Legenden, Op. 62: II. Moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Herzogenberg: Legenden, Op. 62: II. Moderato by Heinrich von Herzogenberg, Gérard Caussé, Vadim Gladkov has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Herzogenberg: Legenden, Op. 62: II. Moderato being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
Sacred Origins | Ola Gjeilo, Choir of Merton College, Oxford, Benjamin Nicholas | C Major | 1 | 8B | 82 BPM | ||
Variasjoner over Med Jesus vil eg fara: II. Var 1 | Knut Nystedt, Anders Eidsten Dahl | G Minor | 0 | 6A | 56 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison II | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Trio Op. 61: II. Scherzo | Heinrich von Herzogenberg, Trío Molbe, Jacobo Díaz | G Major | 2 | 9B | 61 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Liturgische Gesänge, Op. 92: II. Herr Gott, du bist unsre Zuflucht | Heinrich von Herzogenberg, Ensemble Cantissimo, Markus Utz | B♭ Major | 1 | 6B | 110 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM |
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