The Planets, Suite for Large Orchestra, Op. 32: IV. Jupiter - The Bringer of Jollity - St. Louis Symphony Information

Acousticness: 88%
Danceability: 36%
Energy: 22%
Instrumentalness: 73%
Liveness: 13%
Loudness: 69%
Speechiness: 4%
Valence: 23%
Popularity: 0%
Loudness: -18.374 dB

Summary

St. Louis Symphony's 'The Planets, Suite for Large Orchestra, Op. 32: IV. Jupiter - The Bringer of Jollity' had a release date set for March 3, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Orchestral Glory: Saint Louis Symphony Orchestra plays Wagner, Gershwin, Holst and more". In this album, this song's track order is #5. Based on our statistics, The Planets, Suite for Large Orchestra, Op. 32: IV. Jupiter - The Bringer of Jollity's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Planets, Suite for Large Orchestra, Op. 32: IV. Jupiter - The Bringer of Jollity BPM

With The Planets, Suite for Large Orchestra, Op. 32: IV. Jupiter - The Bringer of Jollity by St. Louis Symphony having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

The Planets, Suite for Large Orchestra, Op. 32: IV. Jupiter - The Bringer of Jollity Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 2 in B Minor: I. Allegro	Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber	G Major	3	9B	137 BPM
The Stars and Stripes Forever	John Philip Sousa, Leonard Slatkin, St. Louis Symphony	E♭ Major	4	5B	122 BPM
The Magic Flute, Overture, K620	Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields	C Minor	1	5A	85 BPM
Symphony No. 4 in G Minor, Op. 14, "Sinfonia piccola": II. Andante - Tranquillo	Kurt Atterberg, Neeme Järvi, Gothenburg Symphony Orchestra, Sara Trobäck Hesselink	D Major	0	10B	88 BPM
2. Resiliencia, para Corno Francés y Orquesta Felix Klieser, Corno Francés - En Vivo	Arturo Márquez, Alondra de la Parra, La Orquesta Imposible	E Minor	6	9A	157 BPM
Florida Suite: Sunset - Near the Plantation	Frederick Delius, English Northern Philharmonia, David Lloyd-Jones	D Major	0	10B	77 BPM
Eugene Onegin, Op. 24, Act III: Polonaise	Pyotr Ilyich Tchaikovsky, Leonard Slatkin, St. Louis Symphony	C Major	4	8B	87 BPM
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia	Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra	B Major	2	1B	87 BPM
Festive Overture, Op. 96	Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee	A Major	3	11B	76 BPM
Háry János Suite: Intermezzo	Zoltán Kodály, John Leach, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay	D Minor	2	7A	98 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records