"Die Zauberflöte, K.620 / Act 2: Marsch der Priester" by Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado was released on January 24, 2005. The duration of Die Zauberflöte, K.620 / Act 2: Marsch der Priester is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Die Zauberflöte, K.620 / Act 2: Marsch der Priester's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado's "Mozart: Die Zauberflöte" album is number 17 out of 42. Die Zauberflöte, K.620 / Act 2: Marsch der Priester is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620 / Act 2: Marsch der Priester by Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Requiem in D minor, K.626: 3. Sequentia: Recordare | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | C Major | 1 | 8B | 88 BPM | ||
Introducción y Fandango (Arr. for Harp & Guitar) | Luigi Boccherini, Duo Multicorde | D Major | 1 | 10B | 93 BPM | ||
Carmen, Act I: Entr'acte | Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 113 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Divertimento In E Flat Major Kv Anhang 226: Romance | Arts Music Recording, Rotterdam, Henk De Graaf, Martin Van De Merwe, Dymphna Van Dooremaal, Johan Steinmann, Remco De Vries, Irma Kort, Sandra Zoer, Ron Tyhuis, Jos Buurman, Jan Jansen, Wolfgang Amadeus Mozart | D Major | 2 | 10B | 148 BPM | ||
Violin Sonata in F Major, MWV Q26: II. Adagio | Felix Mendelssohn, Anne-Sophie Mutter, André Previn | A Major | 1 | 11B | 102 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Octet in F Major, D. 803: III. Allegro vivace - Trio | Franz Schubert, Budapest Schubert Ensemble | D Major | 3 | 10B | 84 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM |
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