Sophie-Véronique Choplin's 'Introduction et Passacaille en Ré Mineur: Introduction' came out on October 7, 1992. With Introduction et Passacaille en Ré Mineur: Introduction being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Sophie-Véronique Choplin au grand-orgue de Saint-Sulpice". In this album, this song's track order is #9. Based on our statistics, Introduction et Passacaille en Ré Mineur: Introduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Introduction et Passacaille en Ré Mineur: Introduction by Sophie-Véronique Choplin having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passacaglia for solo violin (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 123 BPM | ||
Der Erlkönig | The Vienna Chamber Ensemble | C Major | 4 | 8B | 123 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
The Last Dance | Peter Gundry | B♭ Minor | 2 | 3A | 150 BPM | ||
Pergolesi: Stabat Mater: V. Quis est homo | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | B Minor | 1 | 10A | 114 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
Till Death Do Us Part | Peter Gundry | D♭ Minor | 3 | 12A | 75 BPM | ||
Imagine The Place Of Nothingness | Rising Shadows | D Minor | 2 | 7A | 82 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
From Holberg's Time, Op. 40: IV. Air: Andante religioso | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 87 BPM |
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