"The J Waltz" by Cliff Eidelman was released on February 7, 1997. The duration of The J Waltz is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The J Waltz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Beautician and the Beast (Music from the Motion Picture) [Remastered 2023]". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, The J Waltz's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The J Waltz by Cliff Eidelman having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
End Title Overture / The Greatest Game Ever Played - Score | Brian Tyler | C Major | 3 | 8B | 119 BPM | ||
Make It So | Stephen Barton, Frederik Wiedmann | F♯ Major | 3 | 2B | 86 BPM | ||
Farewell To Adams | Rob Lane | A Minor | 1 | 8A | 124 BPM | ||
Talking To Data | Jeff Russo | D Minor | 0 | 7A | 64 BPM | ||
Wine Glass Suite | Mark Mancina | F Major | 1 | 7B | 78 BPM | ||
Borg Engaged | Jerry Goldsmith, Ron Jones | C Minor | 2 | 5A | 67 BPM | ||
The Stars – End Credits | Stephen Barton, Frederik Wiedmann | G Major | 4 | 9B | 96 BPM | ||
Without Complete Understanding | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
Journey Back Home | Cliff Eidelman | D Major | 0 | 10B | 100 BPM | ||
Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM |
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