Bryce Dessner, Katia Labèque, Andre de Ridder made "Dessner: Patricia's Rendezvous" available on September 29, 2023. With Dessner: Patricia's Rendezvous being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "She Came to Me (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Dessner: Patricia's Rendezvous's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Dessner: Patricia's Rendezvous by Bryce Dessner, Katia Labèque, Andre de Ridder having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impending Imperative Change - Solo Piano | David Allred | C Major | 1 | 8B | 104 BPM | ||
Eternity Was Born In The Village | Mischa Blanos | C Minor | 5 | 5A | 88 BPM | ||
Snowfall (Piano) | Nolan Witman | A Major | 2 | 11B | 151 BPM | ||
Frame | Steven Gutheinz | F♯ Minor | 1 | 11A | 77 BPM | ||
Distant Disquietudes | Twisted Jukebox | D♭ Major | 3 | 3B | 100 BPM | ||
Anfang Und Ende | Tim Linghaus | C Minor | 0 | 5A | 94 BPM | ||
As You Left It | Per Störby Jutbring, Johanna Sjunnesson | A♭ Major | 1 | 4B | 77 BPM | ||
Positive Shape | Claudio Scozzafava, Gilda Buttà | F Major | 1 | 7B | 124 BPM | ||
Distant Places: Pt. I | David Chalmin, Katia Labèque, Marielle Labèque, Bryce Dessner | B Minor | 1 | 10A | 68 BPM | ||
Attention Span Take 7 | R.Kuhn | C Minor | 1 | 5A | 103 BPM |
Section: 0.7544775009155273
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