Joseph Haydn, Heidelberg Symphony Orchestra, Benjamin Spillner made "Symphony No. 46 in B Major, Hob. I:46: IV. Finale: Presto e scherzando" available on February 3, 2017. Symphony No. 46 in B Major, Hob. I:46: IV. Finale: Presto e scherzando is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey, Benjamin Spillner's "Haydn: Complete Symphonies, Vol. 23" album is number 8 out of 24. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No. 46 in B Major, Hob. I:46: IV. Finale: Presto e scherzando's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No. 46 in B Major, Hob. I:46: IV. Finale: Presto e scherzando by Joseph Haydn, Heidelberg Symphony Orchestra, Benjamin Spillner to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, European Festival Orchestra, Johann Walter | E♭ Major | 2 | 5B | 138 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Der Fischer und das Milchmädchen: VIII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Flute Trio No. 3 in G Major, Hob. IV:3: I. Spirituoso | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 138 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM |
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