"Boy from Britannia" by Kotaro Nakagawa was released on September 24, 2008. With Boy from Britannia being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 30 in CODE GEASS Lelouch of the Rebellion R2 Original Motion Picture Soundtrack 2 by Hitomi Kuroishi, Kotaro Nakagawa. Boy from Britannia is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Boy from Britannia by Kotaro Nakagawa is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To Your Eternity Theme (from "Fumetsu no Anata e") | Mask Music | D Minor | 1 | 7A | 63 BPM | ||
Madder Sky | Koutarou Nakagawa | D Minor | 5 | 7A | 176 BPM | ||
深き眠り_UBW Extended | hil | A Minor | 4 | 8A | 148 BPM | ||
Last Evening | Kotaro Nakagawa | D Major | 2 | 10B | 90 BPM | ||
Tsushima Suite: II. Shurai | Shigeru Umebayashi | C Minor | 5 | 5A | 179 BPM | ||
特級呪霊の力 | 桶狭間ありさ | G Major | 8 | 9B | 80 BPM | ||
Pure Love | Hiroyuki Sawano, Takafumi Wada | G Major | 1 | 9B | 77 BPM | ||
「儀式の終焉~巨像との戦い~」~「廃虚の門番~巨像との戦い~」~「エピローグ~残されし者たち~」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | G Minor | 2 | 6A | 70 BPM | ||
Deceived God | Kotaro Nakagawa | C Minor | 2 | 5A | 144 BPM | ||
Faltering Prayer (Dawn Breeze) | 帆足圭吾, 岡部啓一 | G Minor | 1 | 6A | 79 BPM |
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