"La Bayadere, Act III: 38. "Pas Comique - Fakir with Live Coals"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. With La Bayadere, Act III: 38. "Pas Comique - Fakir with Live Coals" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 10 out of 53. Based on our statistics, La Bayadere, Act III: 38. "Pas Comique - Fakir with Live Coals"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act III: 38. "Pas Comique - Fakir with Live Coals" by Evergreen Symphony Orchestra, Kevin Galiè to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Minor | 0 | 5A | 104 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Ruy Blas, Op. 95: Overture | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | C Minor | 2 | 5A | 134 BPM | ||
Pictures at an Exhibition: The Old Castle | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 67 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Sinfonia in B-Flat Major: II. Andante | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Major | 0 | 1B | 70 BPM | ||
The Sleeping Beauty, Op. 66 : (D) Aurore (Variation II) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | E Major | 0 | 12B | 120 BPM | ||
Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 1 | 4B | 131 BPM | ||
Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM |
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