Johann Sebastian Bach, Glenn Gould made "Partita No. 4 in D Major, BWV 828: V. Sarabande" available on 1957. With this song being about 5 minutes long, at 4:53, "Partita No. 4 in D Major, BWV 828: V. Sarabande" by Johann Sebastian Bach, Glenn Gould is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 24 out of 90. Based on our statistics, Partita No. 4 in D Major, BWV 828: V. Sarabande's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Partita No. 4 in D Major, BWV 828: V. Sarabande by Johann Sebastian Bach, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.22 in B flat minor BWV891 | Daniel Barenboim | C Minor | 1 | 5A | 180 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Concerto for Harpsichord, 2 Recorders, Strings, and Continuo No. 6 in F, BWV 1057: 1. -- | Johann Sebastian Bach, András Schiff, Thierry Fischer, Catherine Touraire-Stutz, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM | ||
Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM | ||
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
Suite No. 1 in A Major, HWV 426: II. Allemande | George Frideric Handel, Glenn Gould | A Major | 1 | 11B | 93 BPM | ||
Suite for Piano, Op. 25: I. Präludium | Arnold Schoenberg, Glenn Gould | B♭ Major | 2 | 6B | 105 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.1 in C major BWV870 | Daniel Barenboim | A Minor | 2 | 8A | 96 BPM | ||
Bach, JS: Trio Sonata in G Major, BWV 1038: I. Largo | Johann Sebastian Bach, Emmanuel Pahud, Christine Schornsheim, Georg Faust, Rainer Kussmaul | G Major | 1 | 9B | 92 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 4 | 10A | 85 BPM |
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