"Pulse Magnet: I. Sempre non rubato" by Matthew Hindson, Pascal Rogé, Joby Burgess, Paul Clarvis, Ami Rogé had its release date on October 23, 2015. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 7 in Bartok, Hindson & Ravel: Music for two pianos & percussion by Pascal Rogé, Ami Rogé. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Pulse Magnet: I. Sempre non rubato's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pulse Magnet: I. Sempre non rubato by Matthew Hindson, Pascal Rogé, Joby Burgess, Paul Clarvis, Ami Rogé is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from The Victorian Kitchen Garden: IV. Exotica | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D♭ Major | 1 | 3B | 118 BPM | ||
Eliza Aria | Elena Kats-Chernin, Acacia Quartet | F Major | 1 | 7B | 151 BPM | ||
St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 121 BPM | ||
String Quartet No. 1 in G Minor: V. I. Allegro moderato | Ralph Vaughan Williams, Verdi Quartett | G Major | 1 | 9B | 82 BPM | ||
La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | ||
Antarctica - Suite for guitar and orchestra: 2. Wooden Ships | Nigel Westlake, Tasmanian Symphony Orchestra, David Porcelijn | E Major | 0 | 12B | 81 BPM | ||
Constellations | Alex Baranowski, Angèle Dubeau, La Pietà | G Major | 2 | 9B | 77 BPM | ||
The Big 5-0 | Matthew Hindson, Marina Marsden | E Major | 2 | 12B | 122 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 133 BPM |