"The Dangerous Liaisons, Act One: V. "Children, Why Don't You Sing?"" by Conrad Susa, Philip Littell, Brittany Nickell, Oliver Sewell, Janet Todd, Timothy Murray, Abigail Shapiro, Anna Dugan, George Manahan, Manhattan School of Music Opera Orchestra was released on March 1, 2016. With this song being about 5 minutes long, at 5:25, "The Dangerous Liaisons, Act One: V. "Children, Why Don't You Sing?"" by Conrad Susa, Philip Littell, Brittany Nickell, Oliver Sewell, Janet Todd, Timothy Murray, Abigail Shapiro, Anna Dugan, George Manahan, Manhattan School of Music Opera Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 27 in Conrad Susa: The Dangerous Liaisons by Conrad Susa, George Manahan, Manhattan School of Music Opera Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Dangerous Liaisons, Act One: V. "Children, Why Don't You Sing?" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dangerous Liaisons, Act One: V. "Children, Why Don't You Sing?" by Conrad Susa, Philip Littell, Brittany Nickell, Oliver Sewell, Janet Todd, Timothy Murray, Abigail Shapiro, Anna Dugan, George Manahan, Manhattan School of Music Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jubilate Deo à 8 | Giovanni Gabrieli, Chorwerk Ruhr, Capella De La Torre, Florian Helgath | B♭ Major | 2 | 6B | 77 BPM | ||
Annelies (chamber version): IX. The dream | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | F Major | 0 | 7B | 68 BPM | ||
A Golden Day | Patrick Vu | B♭ Major | 1 | 6B | 90 BPM | ||
Seek Ye First | Oasis Chorale, Wendell Nisly | B♭ Major | 0 | 6B | 70 BPM | ||
Requiem: IV. In Remembrance | Eleanor Daley, The Gesualdo Six, Owain Park | D♭ Major | 1 | 3B | 81 BPM | ||
Love the Lord | Tapestry Chamber Singers | E♭ Major | 1 | 5B | 127 BPM | ||
Il gron silenzi | Flavio Bundi, Schweizer Jugendchor, Nicolas Fink | E♭ Major | 0 | 5B | 136 BPM | ||
Jesus Has Come | I-to Loh, Tapestry Chamber Singers | C Major | 1 | 8B | 83 BPM | ||
Love One Another | John Bell, The Cathedral Singers | D Major | 2 | 10B | 83 BPM | ||
Nkosi Sikelel iAfrika | University Of Pretoria Camerata | D Major | 2 | 10B | 82 BPM |
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