"Sonate in C-Sharp Minor: I. Très modéré, expressif" by Fernande Decruck, Dominic Childs, Simon Callaghan was released on December 28, 2018. Sonate in C-Sharp Minor: I. Très modéré, expressif is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Tableaux De Provence: Works for Saxophone". In this album, this song's track order is #2. Based on our statistics, Sonate in C-Sharp Minor: I. Très modéré, expressif's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonate in C-Sharp Minor: I. Très modéré, expressif by Fernande Decruck, Dominic Childs, Simon Callaghan having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: III. Finale | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
3 pieces: Piece n 3 | Igor Stravinsky, Alain Damiens | A Major | 1 | 11B | 97 BPM | ||
Kinderszenen, Op. 15: VIII. Am Kamin | Robert Schumann, Céline Moinet, Florian Uhlig | F Major | 0 | 7B | 112 BPM | ||
Préludes, Book 1, L. 117: No. 11, La danse de Puck (Excerpts Arr. J. Corbett & S. Seiler for Clarinet & Harp) | Claude Debussy, Duo Imaginaire | F Minor | 0 | 4A | 143 BPM | ||
Short Cuts: I. Flute | John Carmichael, Susan Torke, Antony Gray | A Minor | 0 | 8A | 49 BPM | ||
Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): IV. Primavera Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): III. Fileuse | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | D♭ Minor | 1 | 12A | 70 BPM | ||
Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio | Carl Maria von Weber, Milan Turkovic, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 1 | 8A | 71 BPM |
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