Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti's 'Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: I. Praeludium' came out on February 17, 2023. With Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: I. Praeludium being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: I. Praeludium is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: I. Praeludium by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
Christ lag in Todes Banden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Les Éléments: II. [Loure I :] La Terre | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 113 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Violin Sonata in D Major, Op. 4, No. 1: I. Adagio | Francesco Geminiani, Lyriarte | D♭ Major | 1 | 3B | 102 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Minor | 0 | 10A | 119 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM |
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