"Psalm 140 with Refrain (Kekragarion)" by Cappella Romana, Alexander Lingas was released on November 29, 2019. Since Psalm 140 with Refrain (Kekragarion) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Cappella Romana, Alexander Lingas's "Lost Voices of Hagia Sophia" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. Psalm 140 with Refrain (Kekragarion) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalm 140 with Refrain (Kekragarion) by Cappella Romana, Alexander Lingas to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Répons bref "De ore leonis" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | A Major | 0 | 11B | 78 BPM | ||
Let All Mortal Flesh | Father Sergei Glagolev, Cappella Romana | E Minor | 1 | 9A | 67 BPM | ||
Passion Week, Op. 13: II. Behold, the Bridegroom Comes | Maximilian Steinberg, Cappella Romana, Alexander Lingas | A Minor | 2 | 8A | 111 BPM | ||
The Vespers of St. Catherine: III. Anoixantaria | John Koukouzelis, Cappella Romana, Alexander Lingas | C Major | 2 | 8B | 87 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Blessed Is The Man Who Seeks No Councel Among The Impious | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 0 | 7B | 127 BPM | ||
The Wise Thief, No. 3 | Sergei Glagolev, Cappella Romana, Vladimir Morosan | E Minor | 1 | 9A | 72 BPM | ||
Saint John Passion, BWV 245, Pt. II: "Ach großer König" (Chorale) | Johann Sebastian Bach, Monica Huggett, Charles Daniels, Shannon Mercer, Matthew White, Jacques-Olivier Chartier, Tyler Duncan, Joshua Hopkins, Cappella Romana, Portland Baroque Orchestra | D Minor | 1 | 7A | 84 BPM | ||
Psalm 20 | Mount Lebanon Orthodox Byzantine Choir | A♭ Major | 2 | 4B | 169 BPM | ||
Rejoyce Virgin (Voskresensky Monastery Chant) | S. Serafimovich, F. Stroganov, Ascention Church Choir (Maloe), Moscow | G Minor | 0 | 6A | 117 BPM |
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