"Instrumental piece I" by Hildegard von Bingen, Sequentia, Margriet Tindemans was released on 1985. With Instrumental piece I being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans's "Hildegard Von Bingen: Geistliche Gesänge" album is number 4 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Instrumental piece I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Instrumental piece I by Hildegard von Bingen, Sequentia, Margriet Tindemans to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O viridissima virga, Ave | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 135 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Au joly jeu | Clément Janequin, Harmonia Recorder Ensemble | C Major | 0 | 8B | 105 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
O ignis spiritus Paracliti | Hildegard von Bingen, Sequentia, Barbara Thornton | E♭ Major | 0 | 5B | 67 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
So trinken wir alle | Arnold von Bruck, Ensemble Villanella, Sven Berger | F Major | 3 | 7B | 110 BPM |
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