"Luisa Fernanda: Duo de Luisa Fernanda y Javier" by Federico Moreno Torroba, Plácido Domingo, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Veronica Villaroel was released on January 1, 1996. Luisa Fernanda: Duo de Luisa Fernanda y Javier is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. This song is part of Viva la Zarzuela ! by Maria Bayo. The song's track number on the album is #16 out of 17 tracks. In terms of popularity, Luisa Fernanda: Duo de Luisa Fernanda y Javier is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Luisa Fernanda: Duo de Luisa Fernanda y Javier by Federico Moreno Torroba, Plácido Domingo, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Veronica Villaroel has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Luisa Fernanda: Duo de Luisa Fernanda y Javier being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM | ||
Luisa Fernanda: Dúo: ¡Cállate, corazón! - Remastered | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Fuensanta Solá, Carlos Munguia, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica | E♭ Major | 2 | 5B | 87 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM | ||
Homenaje a Tarrega | Emilio Pujol, Claudio Marcotulli | D Major | 0 | 10B | 82 BPM | ||
Suite del Plata, No. 1: Candombe | Maximo Diego Pujol, Victor Villadangos | D Major | 1 | 10B | 180 BPM | ||
Promessa - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Major | 0 | 12B | 127 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
Ana Cristina | Antonio Lauro, Victor Villadangos | A Minor | 0 | 8A | 71 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: III. Courante | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 83 BPM | ||
Suite Compostelana: I. Preludio | Federico Mompou, Antigoni Goni | G Major | 0 | 9B | 100 BPM |
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