Die Schöpfung Hob. XXI:2 / Erster Teil: 1A. Einleitung: "Die Vorstellung des Chaos" - Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness: 96%
Danceability: 7%
Energy: 8%
Instrumentalness: 83%
Liveness: 15%
Loudness: 68%
Speechiness: 4%
Valence: 3%
Popularity: 8%
Loudness: -19.46 dB

Summary

"Die Schöpfung Hob. XXI:2 / Erster Teil: 1A. Einleitung: "Die Vorstellung des Chaos"" by Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1969. Since Die Schöpfung Hob. XXI:2 / Erster Teil: 1A. Einleitung: "Die Vorstellung des Chaos" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 1 out of 33. Die Schöpfung Hob. XXI:2 / Erster Teil: 1A. Einleitung: "Die Vorstellung des Chaos" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Schöpfung Hob. XXI:2 / Erster Teil: 1A. Einleitung: "Die Vorstellung des Chaos" BPM

We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Erster Teil: 1A. Einleitung: "Die Vorstellung des Chaos" by Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Die Schöpfung Hob. XXI:2 / Erster Teil: 1A. Einleitung: "Die Vorstellung des Chaos" Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Die Zauberflöte, K. 620: Overture	Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm	E♭ Major	1	5B	80 BPM
The Planets, Op. 32: 6. Uranus, the Magician	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	110 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	G Major	3	9B	97 BPM
Recollections of Paganini, WoO 8, S190: IV. Campanella	Johann Nepomuk Hummel, Madoka Inui	A Minor	1	8A	138 BPM
Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante	Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm	G Minor	3	6A	126 BPM
Götterdämmerung, WWV 86D / Dritter Aufzug: "Zurück vom Ring!"	Richard Wagner, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan	G Minor	0	6A	68 BPM
Dolly, Op. 56: 5. Tendresse	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Pictures at an Exhibition: Bydlo	Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	67 BPM
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt"	Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber	B Major	2	1B	90 BPM
Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante	Johann Sebastian Bach, David Oistrakh, Georg Fischer, Wiener Symphoniker	A Minor	2	8A	116 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8564267158508301

End: 0.861729621887207