Frankie Laine made "Singin' The Blues" available on April 1, 1965. The duration of Singin' The Blues is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Singin' The Blues's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 10 in Frankie Laine At His Best by Frankie Laine. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Singin' The Blues is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Singin' The Blues by Frankie Laine is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let Me Go Lover! | Patti Page | A Minor | 1 | 8A | 144 BPM | ||
If I Were You Baby, I'd Love Me - Live On The Ed Sullivan Show, September 10, 1950 | Patti Page, Frankie Laine | F♯ Major | 3 | 2B | 92 BPM | ||
Jealousy (Jalousie) | Frankie Laine | E♭ Major | 3 | 5B | 109 BPM | ||
The Tender Trap - New Mono to Stereo Mix | Ella Fitzgerald | D Minor | 4 | 7A | 121 BPM | ||
June Night | Jimmy Dorsey | F Major | 6 | 7B | 77 BPM | ||
Ev'ry Day of My Life | Malcolm Vaughan | F Major | 2 | 7B | 172 BPM | ||
All Or Nothing At All | Donna Hightower | A♭ Major | 3 | 4B | 86 BPM | ||
You're Sixteen | Johnny Burnette | D Major | 5 | 10B | 76 BPM | ||
Ooh! Look-A There, Ain't She Pretty | Bill Haley & His Comets | G Minor | 7 | 6A | 151 BPM | ||
Standing On the Corner | The Four Lads | G Major | 5 | 9B | 115 BPM |
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