"Tristango" by Astor Piazzolla, Manuel Padula, Francesco Monaco, Marco D'Attoli, Antonio Montecalvo was released on February 1, 2022. Tristango is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Un Año Después". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. Tristango is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tristango by Astor Piazzolla, Manuel Padula, Francesco Monaco, Marco D'Attoli, Antonio Montecalvo having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oblivion | Astor Piazzolla, Richard Tognetti, Australian Chamber Orchestra, James Crabb, Benjamin Martin | C Minor | 0 | 5A | 142 BPM | ||
In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
Concerto for Guitar and Bandoneon, "Hommage a Liege": II. Milonga (arr. J. Lloyd Webber for 2 cellos and orchestra) | Astor Piazzolla, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | C Major | 1 | 8B | 81 BPM | ||
Bach, J.S.: Clavier-Übung II: No. 1, Italian Concerto in F, BWV 971: I. (Allegro) | Johann Sebastian Bach, Camerata Brasil | F Major | 4 | 7B | 90 BPM | ||
Histoire du Tango: I. Bordel, 1900 - Arr. for Bayan, Guitar, Strings, and Drums by Vadim Venediktov and Stephen Goss | Astor Piazzolla, Artyom Dervoed, Yuri Medianik, Sergey Shamov, David Molard Soriano, Russian National Orchestra | A Minor | 4 | 8A | 87 BPM | ||
Que rest t-il de nos amours | Charles Trenet, Die 12 Cellisten der Berliner Philharmoniker | C Major | 1 | 8B | 177 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM | ||
Tetro: 2. Love, Angie | Osvaldo Golijov, Bernardo Monk, Claudio Ragazzi, Guillermo Vadala, Michael Ward Bergeman | D♭ Minor | 0 | 12A | 100 BPM | ||
Jazz Suite No. 1: III. Foxtrot (Blues) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F♯ Minor | 0 | 11A | 108 BPM | ||
La Strada | Nino Rota, Amy Dickson, London Session Orchestra | F Major | 1 | 7B | 137 BPM |
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