"Les contes d'Hoffmann (The Tales of Hoffmann), Act II: Entr'acte: Belle nuit, o nuit d'amour, "Barcarolle" (arr. P. Rhodes for flute and piano)" by Jacques Offenbach, Paul Rhodes, Kenneth Smith was released on October 29, 2013. The duration of Les contes d'Hoffmann (The Tales of Hoffmann), Act II: Entr'acte: Belle nuit, o nuit d'amour, "Barcarolle" (arr. P. Rhodes for flute and piano) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Les contes d'Hoffmann (The Tales of Hoffmann), Act II: Entr'acte: Belle nuit, o nuit d'amour, "Barcarolle" (arr. P. Rhodes for flute and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "The Expressive Voice of the Flute". In this album, this song's track order is #14. Les contes d'Hoffmann (The Tales of Hoffmann), Act II: Entr'acte: Belle nuit, o nuit d'amour, "Barcarolle" (arr. P. Rhodes for flute and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les contes d'Hoffmann (The Tales of Hoffmann), Act II: Entr'acte: Belle nuit, o nuit d'amour, "Barcarolle" (arr. P. Rhodes for flute and piano) by Jacques Offenbach, Paul Rhodes, Kenneth Smith having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Major | 1 | 7B | 112 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM |
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