Erich Kunzel, Cincinnati Pops Big Band Orchestra, Eddie Daniels made "Let's Dance" available on October 1, 1988. The duration of Let's Dance is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Let's Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Big Band Hit Parade". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Let's Dance is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Let's Dance by Erich Kunzel, Cincinnati Pops Big Band Orchestra, Eddie Daniels having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doe Eyes (From "The Bridges Of Madison County") | Cincinnati Pops Orchestra, Erich Kunzel, Steven Reineke | E Minor | 8 | 9A | 130 BPM | ||
The Red Pony Suite: IV. Walk To The Bunkhouse | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 0 | 7B | 75 BPM | ||
Turandot, SC 91, Act III: Nessun dorma! | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 1 | 10B | 135 BPM | ||
Lachrimae Amantis Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Mickey Mouse March (Arr. K. Whitcomb) | Jimmie Dodd, Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers, School for Creative Performing Arts Children's Chorus | D Minor | 4 | 7A | 125 BPM | ||
La Bohème, SC 67, Act III: Speravo di trovarvi qui | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 1 | 7B | 89 BPM | ||
A Stroll in New York City (Sound Effects) | Michael Bishop, Erich Kunzel, Cincinnati Pops Orchestra | C Major | 2 | 8B | 71 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: IV. Andantino – Allegro | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
Theme From "Terms Of Endearment" | Michael Gore, Cincinnati Pops Orchestra, Erich Kunzel, William Tritt | C Major | 0 | 8B | 130 BPM |
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