Franz Lehár, Fritz Löhner-Beda, Ludwig Herzer, Jonathan Antoine's 'Dein ist mein ganzes Herz' came out on August 21, 2020. The duration of Dein ist mein ganzes Herz is about 3 minutes long, at 3:08. Based on our data, "Dein ist mein ganzes Herz" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Dein ist mein ganzes Herz and no other songs are present in the album, we classify this track as a single. In terms of popularity, Dein ist mein ganzes Herz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dein ist mein ganzes Herz by Franz Lehár, Fritz Löhner-Beda, Ludwig Herzer, Jonathan Antoine is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 90 BPM | ||
'T was Not the Wind | Nikolai Rimsky-Korsakov, Anna Netrebko | F Major | 1 | 7B | 81 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Tosca, Act 2: "vissi D'arte" | Birgit Nilsson | A Major | 1 | 11B | 66 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 2. Akt: Nr.7: Intoduktion | Franz Lehár, Leo Stein, Victor Leon, Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Major | 3 | 10B | 101 BPM |
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