"5 Lieder, Op. 10: V. Bergeslust (Arr. Rouger for Choir and Piano)" by Fanny Mendelssohn, figure humaine kammerchor was released on November 6, 2020. With 5 Lieder, Op. 10: V. Bergeslust (Arr. Rouger for Choir and Piano) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ...wo die Zitronen blühn, so we believe that "5 Lieder, Op. 10: V. Bergeslust (Arr. Rouger for Choir and Piano)" is a single. 5 Lieder, Op. 10: V. Bergeslust (Arr. Rouger for Choir and Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Lieder, Op. 10: V. Bergeslust (Arr. Rouger for Choir and Piano) by Fanny Mendelssohn, figure humaine kammerchor is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An die Entfernte, D. 765 (Arr. Schmalcz for Baritone and Chamber Orchestra) | Franz Schubert, Matthias Goerne, Deutsche Kammerphilharmonie Bremen, Florian Donderer | A Major | 1 | 11B | 102 BPM | ||
Service In B Flat (Z.230): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Fauré: Three Melodies for Voice and Piano, Op. 23 - 1. Les berceaux | Gabriel Fauré, Maria Belooussova, Wolfgang Holzmair | E♭ Minor | 1 | 2A | 178 BPM | ||
Das Paradies und die Peri, Op. 50, Erster Teil: No. 8 Weh, weh, er fehlte das Ziel | Robert Schumann, London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle, Simon Halsey | B Minor | 0 | 10A | 74 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Das Jahr: 12 Characterstucke: No. 2. February | Fanny Mendelssohn, Els Biesemans | F♯ Major | 3 | 2B | 77 BPM | ||
Four Seasons Winter Variation (After Violin Concerto in F Minor, Op. 8, No. 4, RV 297, III. Allegro-Lento) | Antonio Vivaldi, Martin Stadtfeld | F Minor | 1 | 4A | 117 BPM | ||
Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM |
Section: 0.6776089668273926
End: 0.68105149269104