Jean Langlais, Gloucester Cathedral Choir, Mark Lee, David Briggs made "Messe solennelle, Op. 67: IV. Benedictus" available on March 23, 1997. The duration of Messe solennelle, Op. 67: IV. Benedictus is about 3 minutes long, at 3:05. Based on our data, "Messe solennelle, Op. 67: IV. Benedictus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vierne & Langlais: Messe solennelle by Gloucester Cathedral Choir, Mark Lee, David Briggs. The song's track number on the album is #13 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Messe solennelle, Op. 67: IV. Benedictus is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Messe solennelle, Op. 67: IV. Benedictus by Jean Langlais, Gloucester Cathedral Choir, Mark Lee, David Briggs has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Messe solennelle, Op. 67: IV. Benedictus being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pingst | John Lindberg, Academy Chamber Choir of Uppsala, Stefan Parkman | D Minor | 1 | 7A | 115 BPM | ||
5 Piéces for Flute with Organ Accompaniment: III. | Frank Martin, Denis Bédard, Augustin Franz Kropfreiter, Jean Langlais, Michael Conway Baker, Daniel Roth, DUO "Les Brumes", Enea Luzzani, Tommaso Mazzoletti | A♭ Minor | 2 | 1A | 95 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Geistliche Chormusik: Unser Wandel ist im Himmel, SWV 390 | Heinrich Schütz, Knabenchor Hannover, Heinz Hennig | F Minor | 1 | 4A | 137 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Missa Praeter rerum seriem: III. Credo | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Sonate No. 5 D-Dur: II. Largo | Domenico Gabrielli, Monika Nuber, Bernhard Kratzer | B Minor | 0 | 10A | 63 BPM | ||
Prose of Easter (Victimae Paschali Laudes) | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | D Major | 9 | 10B | 114 BPM | ||
Missa in Simplicitate, Op. 75: Credo | Jean Langlais, Ensemble Vocal Jean Sourisse, Jean Sourisse, Julie Hassler, Vincent Warnier | D Minor | 1 | 7A | 77 BPM | ||
March Jubilant for Organ (The Star-Spangled Banner) | Paul Fey | C Major | 3 | 8B | 143 BPM |
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