- BPM
- 91
- Key
- F Major
- Camelot
- 7B
Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala - Wolfgang Amadeus Mozart, José van Dam, Edda Moser, Ruggero Raimondi, John Macurdy, Lorin Maazel Information
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 21%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 30%
- Popularity
- 13%
- Loudness
- -16.557 dB
Summary
Wolfgang Amadeus Mozart, José van Dam, Edda Moser, Ruggero Raimondi, John Macurdy, Lorin Maazel's 'Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala' had a release date set for 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Lorin Maazel's "Mozart: Don Giovanni, K. 527" album is number 2 out of 71. In terms of popularity, Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala BPM
We consider the tempo marking of Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala by Wolfgang Amadeus Mozart, José van Dam, Edda Moser, Ruggero Raimondi, John Macurdy, Lorin Maazel to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem In D Minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann): Requiem (Introitus) - Live | Wolfgang Amadeus Mozart, Marie McLaughlin, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | G Minor | 2 | 6A | 67 BPM | |
 | Die Zauberflöte, K.620, Act I: Wo willst du, kühner Fremdling, hin? (Sprecher, Tamino, Chor) | Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 79 BPM | |
 | Massenet: Don Quichotte, Act 1: "O Dulcinée ! Ah ! Vous allez ameuter" (Don Quichotte, Sancho) | Jules Massenet, Alain Fondary - Orchestre Du Capitole De Toulouse - Michel Plasson - José Van Dam, Alain Fondary, José van Dam, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) | Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 83 BPM | |
 | Mass in C, K.317 "Coronation": 6. Agnus Dei | Wolfgang Amadeus Mozart, Margaret Marshall, Ann Murray, Rogers Covey-Crump, David Wilson-Johnson, Choir of King's College, Cambridge, English Chamber Orchestra, Stephen Cleobury | C Major | 1 | 8B | 80 BPM | |
 | Pelléas et Mélisande, L. 88 / Act I: "Pourquoi pleures-tu?" | Claude Debussy, Maria Ewing, José van Dam, Wiener Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 69 BPM | |
 | Mozart: Le nozze di Figaro, K. 492, Act 3: "Sull'aria ... Che soave zefiretto" (Countess, Susanna) | Wolfgang Amadeus Mozart, Riccardo Muti, Kathleen Battle, Margaret Price, Wiener Philharmoniker | B♭ Major | 1 | 6B | 86 BPM | |
 | Le nozze di Figaro, K. 492 / Act 2: "Voi che sapete" - "Bravo! che bella voce!" | Wolfgang Amadeus Mozart, Frederica von Stade, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 0 | 6B | 95 BPM | |
 | Requiem in D minor, K.626: 3. Sequentia: Recordare | Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St. Martin in the Fields, Sir Neville Marriner, Academy of St Martin in the Fields Chorus | F Major | 1 | 7B | 71 BPM | |
 | Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records