- BPM
- 78
- Key
- B♭ Minor
- Camelot
- 3A
Carmen: Act I: Quels regards! Quelle effronterie! - Georges Bizet, Franco Corelli, Mirella Freni, Herbert von Karajan Information
- Acousticness
- 95%
- Danceability
- 41%
- Energy
- 9%
- Instrumentalness
- 1%
- Liveness
- 75%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 27%
- Popularity
- 1%
- Loudness
- -22.861 dB
Summary
Georges Bizet, Franco Corelli, Mirella Freni, Herbert von Karajan's 'Carmen: Act I: Quels regards! Quelle effronterie!' came out on 1964. With Carmen: Act I: Quels regards! Quelle effronterie! being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 52 in Bizet: Carmen by Georges Bizet, Herbert von Karajan. Carmen: Act I: Quels regards! Quelle effronterie! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Carmen: Act I: Quels regards! Quelle effronterie! BPM
The tempo marking of Carmen: Act I: Quels regards! Quelle effronterie! by Georges Bizet, Franco Corelli, Mirella Freni, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Carmen: Act I: Quels regards! Quelle effronterie! Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | |
 | A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | |
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | |
 | Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | |
 | The Sleeping Beauty, Op. 66, TH 13: Introduction | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | E Major | 2 | 12B | 139 BPM | |
 | 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | |
 | Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6171741485595703
End: 0.6207802295684814