Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi's 'Fiorella, S. 15: Overture' came out on July 10, 2020. Fiorella, S. 15: Overture is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The song is number 5 out of 15 in Auber: Overtures, Vol. 2 by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi. The popularity of Fiorella, S. 15: Overture is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fiorella, S. 15: Overture by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le carnaval des animaux, R. 125: IV. Tortues | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 87 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
Auber: Manon Lescaut, Act I, Scene 2: Bourbonnaise. "C'est l'histoire amoureuse" (Manon, Des Grieux, Durozeau, Madame Bancelin, Lescaut, Sergent, Marguerite, Le Marquis, Chœur) | Daniel Auber, Jean-Pierre Marty, Choeurs de Radio France, Alain Duverry, Bernard Fabre-Garrus, Emmy Greger, Jean-Claude Orliac, Mady Mesple, Nicole Chaudeau, Peter Christoph Runge, Yves Bisson, Orchestre lyrique de Radio France | C Minor | 1 | 5A | 95 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Das Waldmädchen: No. 20, Allegro vivace | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 97 BPM | ||
Symphony No. 8: II. Andante grazioso | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | G Major | 0 | 9B | 76 BPM | ||
La muette de Portici, S. 16: Act IV: March: Honneur et gloire! (Chorus, Pietro, Masaniello) | Daniel Auber, Diego Torre, Oscar de la Torre, Angelina Ruzzafante, Wiard Witholt, Dessau Anhalt Theater Chorus, Dessau Anhalt Philharmonic Orchestra, Antony Hermus | E♭ Major | 3 | 5B | 83 BPM | ||
Fra Diavolo / Act 1: Quintetto: "Qual chiasso" | Daniel Auber, Vito Susca, Marco Stecchi, Margaret Simoncini, Giuseppe Campora, Cecilia Fusco, Orchestra Philharmonica del Teatro Comunale Giuseppe Verdi Trieste, Arturo Basile | B♭ Major | 2 | 6B | 121 BPM | ||
Great Symphonic Sounds | Franz Schubert, Staatskapelle Dresden, Herbert Blomstedt | A♭ Major | 4 | 4B | 98 BPM |
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