"Concerto for Guitar and Strings, "Arafura Dances": 2. Arafura Arioso" by Ross Edwards, Karin Schaupp, Richard Mills, Tasmanian Symphony Orchestra was released on January 1, 2004. Since Concerto for Guitar and Strings, "Arafura Dances": 2. Arafura Arioso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Ross Edwards – White Ghost Dancing". In this album, this song's track order is #5. Concerto for Guitar and Strings, "Arafura Dances": 2. Arafura Arioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Guitar and Strings, "Arafura Dances": 2. Arafura Arioso by Ross Edwards, Karin Schaupp, Richard Mills, Tasmanian Symphony Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
Sicilienne, Op. 78 (arr. for oboe and piano) | Anonymous, Gabriel Fauré, Albrecht Mayer, Karina Wisniewska | E♭ Major | 1 | 5B | 68 BPM | ||
Midsummer Nocturne | Aaron Copland, Michael Landrum | F♯ Minor | 0 | 11A | 97 BPM | ||
Thaïs: Méditation (Arr. David Stanhope) | David Stanhope, Jules Massenet | D Major | 0 | 10B | 72 BPM | ||
Kinderszenen, Op.15: Träumerei | Robert Schumann, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 82 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM |
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