Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4)' came out on November 10, 1993. The duration of Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #3. In terms of popularity, Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4) by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Chiacona per la lettera B | Giovanni Battista Vitali, Tragicomedia, Paul O'Dette | B Major | 1 | 1B | 114 BPM | ||
Concerto In D Major, Op.26, No.6: 1. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 108 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 135 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Premier Concert: Prélude - Gravement (Couperin) | Le Concert Des Nations, Jordi Savall | F Major | 2 | 7B | 84 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Concerto in D Major, Op. 6 No. 1: II. Largo - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM | ||
Don Juan ou le Festin de pierre, Wq. 52: 2. Andante | Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations | A Minor | 1 | 8A | 120 BPM |
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