"25 Progressive Pieces for Piano in E-Flat Major, Op. 100: No. 23, the Return. Molto Agitato" by Johan Friedich Franz Burgmüller, Pablo F Bello was released on May 20, 2019. The duration of 25 Progressive Pieces for Piano in E-Flat Major, Op. 100: No. 23, the Return. Molto Agitato is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 25 Progressive Pieces for Piano in E-Flat Major, Op. 100: No. 23, the Return. Molto Agitato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 25 in Franz Burgmüller, Progressive Pieces for Piano by Johan Friedich Franz Burgmüller, Pablo F Bello. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. The popularity of 25 Progressive Pieces for Piano in E-Flat Major, Op. 100: No. 23, the Return. Molto Agitato is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Progressive Pieces for Piano in E-Flat Major, Op. 100: No. 23, the Return. Molto Agitato by Johan Friedich Franz Burgmüller, Pablo F Bello is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Franz Burgmüller, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 0 | 1B | 127 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 69 BPM | ||
Nocturnes, Op. 27: No. 2 in D Flat Major. Lento sostenuto | Frédéric Chopin, Jan Lisiecki | D♭ Major | 0 | 3B | 68 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM |
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