On November 15, 2021, the song "English Suite No.3 in G Minor, BWV 808: 7. Gigue" was released by Johann Sebastian Bach, Ivo Pogorelich. The duration of English Suite No.3 in G Minor, BWV 808: 7. Gigue is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. English Suite No.3 in G Minor, BWV 808: 7. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 395 out of 435 in Focus with Bach by Johann Sebastian Bach, Various Artists. In terms of popularity, English Suite No.3 in G Minor, BWV 808: 7. Gigue is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of English Suite No.3 in G Minor, BWV 808: 7. Gigue by Johann Sebastian Bach, Ivo Pogorelich is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Contrapunctus 9 a 4 alla Duodecima | Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Neil Black, Tess Miller, Celia Nicklin, Cecil James, Kenneth Heath, John Gray, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 94 BPM | ||
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | B Minor | 1 | 10A | 66 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |
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