"Hiob, H-U 258: III. Chor "Leben und Wohltat hast du an mir getan"" by Fanny Mendelssohn, Crouch End Festival Chorus, London Mozart Players, David Temple was released on January 12, 2024. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 26 in Fanny Hensel, Felix Mendelssohn: Choral Works by Crouch End Festival Chorus, London Mozart Players, David Temple. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hiob, H-U 258: III. Chor "Leben und Wohltat hast du an mir getan" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hiob, H-U 258: III. Chor "Leben und Wohltat hast du an mir getan" by Fanny Mendelssohn, Crouch End Festival Chorus, London Mozart Players, David Temple is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
In einer Nacht, Op. 15: No. 2, Sehr langsam - Musical Moments | Paul Hindemith, Elisabeth Brauß | D♭ Minor | 0 | 12A | 100 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM |
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