"Chi sà, chi sà, qual sia, K. 582" by Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer was released on January 1, 1991. The duration of Chi sà, chi sà, qual sia, K. 582 is about 3 minutes long, at 3:29. Based on our data, "Chi sà, chi sà, qual sia, K. 582" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 11 in Cecilia Bartoli - Mozart Arias by Wolfgang Amadeus Mozart, Cecilia Bartoli, András Schiff, Vienna Chamber Orchestra, György Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Chi sà, chi sà, qual sia, K. 582's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chi sà, chi sà, qual sia, K. 582 by Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Concerto No. 5 in A Major, K. 219 "Turkish": 3. Rondeau. Tempo di Menuetto - Cadenza: Joseph Joachim | Wolfgang Amadeus Mozart, Joseph Joachim, Itzhak Perlman, Wiener Philharmoniker, James Levine | G Major | 2 | 9B | 127 BPM | ||
Caro mio ben | Tomasso Giordani, Cecilia Bartoli, Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 97 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Reri Grist, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm | A Minor | 3 | 8A | 168 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Cecilia Bartoli, Jean-Yves Thibaudet | D Major | 3 | 10B | 124 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scena 4. Recitativo Marcellina, Susanna "Tutto ancor non ho perso" | Wolfgang Amadeus Mozart, Concerto Köln, Marie McLaughlin, Patrizia Ciofi, René Jacobs | G Major | 0 | 9B | 184 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 1: Recitativo - Cosa stai misurando | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | F Major | 1 | 7B | 84 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
La superbia d'Alessandro: "Non prendo consiglio" | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | A♭ Major | 3 | 4B | 126 BPM | ||
Ouvre ton coeur - Bolero | Georges Bizet, Cecilia Bartoli, Myung-Whun Chung | E♭ Major | 1 | 5B | 124 BPM | ||
Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM |
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