"The City of Ruin" by Capcom Sound Team was released on September 22, 1999. The duration of The City of Ruin is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The City of Ruin's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 86 in the song's album "Resident Evil 3 Nemesis Original Soundtrack". In this album, this song's track order is #12. Based on our statistics, The City of Ruin's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The City of Ruin by Capcom Sound Team having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mobs Alive | Harry Gregson-Williams | D Major | 6 | 10B | 144 BPM | ||
The Sad Truth | Miwako Chinone | A♭ Minor | 0 | 1A | 73 BPM | ||
Protoss Ready Room | Jason Hayes | D♭ Major | 2 | 3B | 77 BPM | ||
The Witch of Hemwick | SIE Sound Team | D Major | 4 | 10B | 135 BPM | ||
Code 3: En Route | Masafumi Takada | G Minor | 4 | 6A | 90 BPM | ||
Crude Contraption | Masafumi Takada | A♭ Major | 7 | 4B | 108 BPM | ||
Tension Rising | Christopher Lennertz | A♭ Major | 1 | 4B | 106 BPM | ||
Life or Death | Laurent Ziliani, Thomas Parisch | A♭ Minor | 3 | 1A | 103 BPM | ||
Vantage | Martin Stig Andersen | C Major | 4 | 8B | 120 BPM | ||
Double Ballers | Jesper Kyd | B♭ Minor | 8 | 3A | 130 BPM |
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