"The Divine Liturgy of St. John Chrysostom: No. 22, The Holy Oblation (Words of Institution and Acclamation)" by Peter Michaelides, George A. Gray III, Cappella Romana, Alexander Lingas was released on September 18, 2020. The duration of The Divine Liturgy of St. John Chrysostom: No. 22, The Holy Oblation (Words of Institution and Acclamation) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. The Divine Liturgy of St. John Chrysostom: No. 22, The Holy Oblation (Words of Institution and Acclamation)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Peter Michaelides: The Divine Liturgy of St. John Chrysostom". In this album, this song's track order is #22. The Divine Liturgy of St. John Chrysostom: No. 22, The Holy Oblation (Words of Institution and Acclamation) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Divine Liturgy of St. John Chrysostom: No. 22, The Holy Oblation (Words of Institution and Acclamation) by Peter Michaelides, George A. Gray III, Cappella Romana, Alexander Lingas having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Del Kyriale: Agnus Dei del Tono IV | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 68 BPM | ||
Ave, lauderis | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Hino: Canite Agni Mundi | Cantos Gregorianos | D♭ Major | 0 | 3B | 81 BPM | ||
in I. nocturno: Lectio II - Lamed - Voice | Carlo Gesualdo, Andrew Parrott, Taverner Consort & Choir | G Major | 1 | 9B | 75 BPM | ||
Pater Noster | Sexteto Cantábile | A♭ Minor | 1 | 1A | 138 BPM | ||
Domingo de Quasimodo: Aleluya, In Die (7º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | D Major | 1 | 10B | 140 BPM | ||
The Lord Bless You | Sexteto Cantábile, Betty Sainz | C Major | 1 | 8B | 147 BPM | ||
Audivi Vocem | The Schola Cantorum of St. John XXIII Parish | E Minor | 3 | 9A | 79 BPM | ||
Salva - Nos Com O Teu Cantico - Nunc Dimittis, Bençao Noctem Quietam | Cantos Gregorianos | A Minor | 0 | 8A | 73 BPM | ||
And There Was War in Heaven | Howard Skempton, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 128 BPM |
Section: 0.499981164932251
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