"Partita in F Major: III. Andantino" by Johann Kropfgans, Alberto Crugnola was released on March 6, 2012. The duration of Partita in F Major: III. Andantino is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Partita in F Major: III. Andantino's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alberto Crugnola's "German Lute Music of the 18th Century" album is number 18 out of 95. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Partita in F Major: III. Andantino's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Partita in F Major: III. Andantino by Johann Kropfgans, Alberto Crugnola to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Concerto in C Minor: III. Allegro | Johann Kropfgans, John Schneiderman, Elizabeth Blumenstock, William Skeen | B Minor | 1 | 10A | 104 BPM | ||
La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Guitar Sonata No. 9 in C Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Suite Premiere - Iv. Sarabande (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 1 | 2A | 105 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Suite in G Minor, BWV 1008: III. Courante | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Les goüts-réunis, ou Nouveaux Concerts, Concert No. 9 in E 'Ritratto dell'amore': VI. La noble Fierté | François Couperin, Héloïse Gaillard, Jeanne Jourquin | E♭ Minor | 1 | 2A | 131 BPM |
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