"Victimae Paschali Laudes" by Catherine Braslavsky was released on 2016. The duration of Victimae Paschali Laudes is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Victimae Paschali Laudes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pilgrimage". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Based on our statistics, Victimae Paschali Laudes's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Victimae Paschali Laudes by Catherine Braslavsky having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat | Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth | D Minor | 1 | 7A | 80 BPM | ||
Kontakion | Divna Ljubojevic | C Major | 0 | 8B | 99 BPM | ||
Kebadi (Sacred Chorale) | The Rustavi Choir | G Minor | 1 | 6A | 77 BPM | ||
Our Savior, Grace and Truth (Exapostilarion of Theophany Mode 3) | Byzantine Ark, Demetri Petropolous, Nathan Speir | B♭ Major | 1 | 6B | 107 BPM | ||
Sacral | Sri Kala | F Major | 5 | 7B | 98 BPM | ||
Amours Me Fait Comencier | Eduardo Paniagua, Thibaut de Champagne, Luis Delgado | G Major | 0 | 9B | 135 BPM | ||
Sanctus 1 & 2 | Renard Thierry, Joseph Rowe, Catherine Braslavsky | D♭ Major | 2 | 3B | 182 BPM | ||
Heruvimska pesma glas drugi | Pavle Aksentijevic | F Major | 4 | 7B | 102 BPM | ||
V Estampida Real | Emilio Villalba, Sara Marina | C Minor | 2 | 5A | 181 BPM | ||
Plecat-or Plecat | Byzantion | E Minor | 6 | 9A | 117 BPM |
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